London-based Australian pianist Piers Lane is one of the most inquisitive and engaging live performers of his generation.
In great demand as soloist and collaborative artist, recent highlights include a performance of Busoni’s mighty piano concerto at Carnegie Hall, premieres of Carl Vine’s second Piano Concerto, written for him, with the Sydney Symphony and the London Philharmonic, and a sold-out performance of Chopin’s complete Nocturnes at Wigmore Hall.
Five times soloist at the BBC Proms in London’s Royal Albert Hall, Piers Lane’s concerto repertoire exceeds ninety works and has led to engagements with many of the world’s great orchestras including the BBC and ABC orchestras; the American, Bournemouth and Gothenburg Symphony Orchestras; the Australian Chamber Orchestra, Orchestre National de France, City of London Sinfonia, and the Royal Philharmonic, Royal Liverpool Philharmonic and Warsaw Philharmonic orchestras among many others.
Leading conductors with whom he has worked include Andrey Boreyko, Sir Andrew Davis, Andrew Litton, Jerzy Maksymiuk, Marko Letonja, Vassily Sinaisky, Yan Pascal Tortelier and Antoni Wit.
He frequently performs at prestigious festivals: Aldeburgh, Bard, Bergen, Cheltenham, Como Autumn Music, Consonances, Huntington, La Roque d’Anthéron, Newport, Prague Spring, Ruhr Klavierfestival, Schloss vor Husum and the Chopin festivals in Warsaw, Duszniki-Zdroj, Mallorca and Paris, among them.
Piers Lane has been the Artistic Director of the Australian Festival of Chamber Music since 2007 and also directed the annual Myra Hess Day at the National Gallery in London from its inception in 2006 until 2013. From this sprang his collaboration with actress Patricia Routledge on a theatre piece devised by Nigel Hess, exploring Dame Myra’s work throughout the Second World War. This show, entitled Admission: One Shilling, has been performed over 70 times, throughout the UK at many festivals and theatres and most
Piers Lane’s discography of over 50 CDs includes much admired recordings of rare Romantic piano concertos, the complete Preludes and Études by Scriabin, transcriptions of Bach and Strauss, along with complete collections of concert études by Saint-Saëns, Moscheles and Henselt, and transcriptions by Grainger. With the Goldner String Quartet, he has recorded Piano Quintets by Bloch, Bridge, Dvorak, Harty, Elgar, Taneyev, Arensky and Pierné. During the 2013/14 season, Hyperion released his most recent solo recording, Piers Lane goes to Town and the six works for piano and orchestra by Malcolm Williamson, while ABC Classics released two Mozart Concertos.
Piers Lane is in great demand as a collaborative artist. He continues his longstanding partnership with violinist Tasmin Little, clarinettist Michael Collins and the Goldner String Quartet. He has performed extensively with singers Cheryl Barker, Peter Coleman-Wright, Yvonne Kenny, and Markus Schäfer and has collaborated with Anne Sofie von Otter and Bengt Forsberg, Brett Dean, the Australian, Doric, Kodály, Medici, New Budapest, New Zealand, Prazak and RTE Vanbrugh String Quartets, and pianists Marc- André Hamelin, Hamish Milne, Kathryn Stott and Kathron Sturrock.
Many composers have written for Piers Lane and he has premiered works by Brett Dean, Dave Heath, Colin Matthews, Richard Mills, Carl Vine, Benjamin Wallfisch and Malcolm Williamson, among others. He gave the first performance in modern times of Parry’s Piano Concerto and Harty’s Piano Quintet, and has made many first recordings, including Elgar’s Impromptu, John Ireland’s Ballerina and Malcolm Williamson’s fourth Piano Concerto. He gave the centenary performance at the Proms of Sir Arthur Bliss’s Piano Concerto and, with the American Symphony and Leon Botstein, New York performances of Bliss and Czerny at Avery Fisher Hall in the Lincoln Center and Frank Bridge’s Phantasm at Carnegie Hall.
Piers Lane has written and presented over 100 programmes for BBC Radio 3, including the popular 54-part series, The Piano. He holds an Honorary Doctorate from Griffith University in Australia. He was recently presented with the first medal from the Laza Kostic fund for promoting Serbian culture during difficult political times in the late 90s. In 1994, he was made an Honorary Member of the Royal Academy of Music, where he was a Professor from 1989 to 2007.
He is President of the European Piano Teachers’ Association UK, Patron of the Australasian Piano Pedagogy Conference, the Old Granary Studio in Norfolk, the Tait Memorial Trust in London, the Youth Music Foundation of Australia and the Music Teachers’ Association and the Accompanists’ Guild in Queensland. He is a Trustee of the Hattori Foundation in London and Vice- President of Putney Music Club. In the Queens Diamond Jubilee Birthday Honours, he was made an Officer in the Order of Australia (AO) for distinguished services to the arts as pianist, mentor and organiser.